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8 January 1836 – 25 June 1912. Most renowned painters.

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Johann Carl Loth
Fupiter and Merury being entertained by philemon and Baucis

ID: 39716

Johann Carl Loth Fupiter and Merury being entertained by philemon and Baucis
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Johann Carl Loth Fupiter and Merury being entertained by philemon and Baucis


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Johann Carl Loth

German Baroque Era Painter, 1632-1698 was a German painter, born in Munich but active most of his life in Venice. He is also called Johann Karl, Carlotto, and Carlo Lotti. He was the son and pupil of Johann Ulrich Loth (1590- 1662). He was commissioned to paint for the emperor Leopold in Vienna. He was influenced by Pietro Liberi. His brother Franz Loth was also a painter in Venice and Germany. He had numerous pupils including Willem Drost, Cornelis de Bruijn, Johann Michael Rottmayr, Paul Strudel, Santo Prunati, Daniel Seiter, and Giovan Battista Langetti.   Related Paintings of Johann Carl Loth :. | Apollo, Pan, and Marsyas | Fupiter and Merury being entertained by philemon and Baucis | The Resurrection of Christ | Gleichnis vom Barmherzigen Samariter | Portrait einer Dame mit Papageienkafig |
Related Artists:
Frederick George Cotman
British Painter , 1850-1920
Giovanna Garzoni
Italian Baroque Era Painter, 1600-1670 was an Italian painter of the Baroque era. She was unusual for Italian artists of the time for two reasons: first, in that her themes were mainly decorative and luscious still-lifes of fruits, vegetables, and flowers, and second, because she was a woman. Her training was with an otherwise unknown painter from her native town of Ascoli Piceno. She gained substantial success at her trade in Rome, Venice, Florence (1642-1651), Naples, and Turin. She was patronized by Cassiano dal Pozzo and the wife of Taddeo Barberini, Anna Colonna. In Turin she painted for Carlo Emanuele II, Duke of Savoy. She returns to Rome in the 1650s. In 1666, Garzoni bequeathed her entire estate to the Roman painters' guild the Accademia di San Luca, on condition that they build her tomb in their church of Santi Luca e Martina. Her tomb monument by Mattia De Rossi is to the right of the entrance. Laura Bernasconi was also a woman painter of still-life flowers in Rome in the 1670s. In Rome, she would have been a contemporary of Caterina Ginnasi. It is likely that in Naples she was exposed to the still-lifes of Giovan Battista Ruoppolo and his contemporaries.
DUYSTER, Willem Cornelisz.
Dutch Baroque Era Painter, 1599-1678






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